Yarn and Going to Hell - The Seoul crochet designer who wore our Orbit necklace
Seoul-based designer SunJi, founder of Crocheant, styles our Orbit Necklace whilst sharing the materials that inspire her, the story behind her bold slogan and a dream of hosting pop-ups abroad alongside fellow handmade brands.
Material as Muse
Storytelling Through Design
The slogan you've chosen, 'GO TO HELL,' is bold. When you design something with such a strong statement, what story or feeling do you hope the wearer takes from it?
The "GO TO HELL" slogan started from a very personal place. At that time, I was quite exhausted and it felt like the good parts of me had disappeared. To hold onto that, I worked with lace, one of the most delicate crochet techniques, as a way of grounding myself. At the same time, I was drawn to the contrast between that delicacy and the bluntness of the phrase. That's why I initially released it only in black. As it received a lot of love, it naturally expanded into a wider range of colours.
Digital Connections
We first met through Instagram in 2024. How has sharing your work online helped you connect with other creatives? Instagram has been almost the only channel for me. It has helped a lot in that I can share my work and immediately see people's responses. What I didn't expect was how naturally it led to connections - people reaching out after seeing my work and new relationships forming from that. Those experiences have also given me the energy to keep going. Rather than setting a fixed direction, I'd like to continue letting these connections grow naturally, as they have so far.

Milestones & Dreams
For me, a milestone was seeing my work stocked at 10 Corso Como Seoul. Where would you most like to see your pieces worn or sold? Even now, I feel like I'm gradually achieving the things I once imagined, step by step. Someday, I'd like to host a small pop-up abroad. I think it would be even more meaningful to do it together with a brand that also works with handmade processes, like mine. I want to introduce Crocheant in different countries, and see how the work is naturally received in different environments.


